A versatile musician and well-rounded scholar, Lidia Chang double majored in Flute Performance and Music History at the University of Massachusetts. She went on to earn a Master's in Historical Performance on the Baroque flute at McGill’s Schulich School of Music, and has recently completed a Masters in Historical Musicology at the University of Massachusetts. Lidia has the pleasure of performing internationally as a soloist and with a number of period instrument ensembles including Ensemble Ad Libitum, Arcadia Players, and Ensemble Musica Humana, of which she is a founding member. Recently she has released two albums of Regency era dance music (Twelve Cotillions by Giovanni Gallini, 1770 and Country Dances by Thomas Skillern, 1781), which can be heard on the BBC’s recent adaptation of Poldark. As a scholar, Lidia’s primary focus is on the intersection of literature, gender, aesthetics, and music performance practices in the “long” 18th century. She has presented her research to great acclaim at the Jane Austen Society of North America’s annual and regional meetings, and at the Museum of Fine Arts in Boston. She is currently pursuing a PhD in Historical Musicology at the City University of New York.